Three performers on stage at No Bounds festival. One is singing into a microphone while the other two are playing records on turntables and using a mixer. Three performers on stage at No Bounds festival. One is singing into a microphone while the other two are playing records on turntables and using a mixer.

There are few cities in the world as synonymous with electronic music as Sheffield.

For half a century the city has been producing a steady stream of game-changing music that has gone on to impact and shape the way electronic music sounds all across the world.

A brief account of the past, present & future of the scene in Sheffield, written by acclaimed music journalist Daniel Dylan Wray.
Daniel Dylan Wray headshot

Origins

In the late 1970s, as punk exploded and garage bands popped up across the country, in Sheffield many were leaning more towards synthesisers to create futuristic sounds.

“I have just seen the future of rock and roll,” wrote the journalist Paul Morley, in a 1979 NME cover story on The Human League. “And there’s not a guitar in sight.” David Bowie too had declared the Sheffield band as the future of music.

In reality, by this time, Sheffield had already been mad on electronic music for years, it was just now that the rest of the world were finally catching up.

Heavily influenced by Brian Eno in Roxy Music, Kraftwerk and the Wendy Carlos soundtrack to A Clockwork Orange, the likes of Cabaret Voltaire, The Future, and Vice Versa were all experimenting away, often with homemade synths and contraptions, forging new pioneering sounds in the mid-1970s.

Meatwhistle

A lot of these acts were spurred on by attending a hugely pivotal Council-funded youth theatre workshop called Meatwhistle.

It was a place that encouraged young people to be experimental and creative, with future members of numerous key Sheffield bands all forming their first projects there.

“It changed my life,” Martyn Ware of The Future, The Human League and Heaven 17, would go on to say. “I genuinely believe that my musical career would never have happened if it were not for it.” 

Meathwhistle image from the book 'Electronic Cities: Music, Policies and Space in the 21st Century', edited by Sebastian Darchan, Damien Charrieras and John Willsteed.

Within a few years, bands had split and splintered and even more electronic outfits were formed.

The Human League, Heaven 17, ABC and Clock DVA all became hugely important groups. Mainstream success meant that some would go on to change, and arguably define, the face of electronic pop music in the 1980s.

However, while this took place and Sheffield conquered the world, a new generation of artists were coming up and shaping the next underground movements.

FON studios had been built and would go on to be a vital force in shaping the next wave of electronic music, with the hugely influential producer Rob Gordon beginning his career there as a youth apprentice.   

Jive Turkey

In 1985, Sheffield got a brand new club night that would go on to be one of the most defining of its era: Jive Turkey.

It started life playing soul, disco, jazz-funk, and electro but soon the DJ team – comprised of Winston Hazel and Parrot – began incorporating the latest sounds coming in directly from Chicago and Detroit.

The club soon became an early home to this new type of house music, with coach loads of people travelling to hear these futuristic new sounds. It proved to be a revolutionary night that for many was just as important as Manchester’s The Hacienda.

More about Jive Turkey

image credit: Barbara Wasiak

Warp Records

FON studios had grown into the FON record shop, which would soon blossom into Warp Records. The label, which started in 1989, was to be one of the most significant, influential and groundbreaking electronic music labels in the world.

From its early days releasing seminal bleep techno records by the likes of Forgemaster, LFO and Sweet Exorcist, via a wave of electronica, ambient and experimental home listening releases by groups such as Aphex Twin, Boards of Canada, and Autechre, it once again meant Sheffield was driving not only the zeitgeist for electronic music but also carving out its future.

The 90s and 00s

The 90s saw the city internationally celebrated for a wide variety of electronic and dance music, with seminal clubs, such as Niche, Bed, The Arches and The Republic being go-to destinations - particularly as the latter was the iconic home of the legendary Gatecrasher, which saw the city descended upon by hard dance, trance, and cyber ravers.

At the same time, groups such as Moloko and The All Seeing Eye were crafting unique electronic pop that was storming the charts.

The republic nightclub
image credit: Retro Headz

The sound of The Fat Truckers’ northern electroclash soundtracked much of the early 2000s, along with other electronic outfits such as I Monster and Kings Have Long Arms, the latter of whom collaborated with Phillip Oakey on a track called ‘Rock and Roll is Dead’.

Simultaneously, Toddla T’s distinct blend of dancehall, grime, breakbeat and UK garage would close out the end of that decade, with him going on to be one of the most celebrated producers in the country.

Then throw in the numerous labels, promoters and club nights that have kept the city dancing since then – spanning everything from Central Processing Unit to Off Me Nut via Kabal, Groundwork, Algorave, Gut Level and Apricot Ballroom – and you have a city that has remained constantly at the forefront of electronic music.

Gut Level
image credit: Gut Level

No Bounds: past, present & future

No Bounds Festival perhaps most neatly embodies the longstanding history of electronic music in Sheffield.

In much the same way the pioneers of the 1970s took over little mesters workshops, crumbling warehouses and empty cutlery factories to make the sound of the future, the weekend-long festival also utilises the city’s rich and vast landscape by hosting unique events all across Sheffield.

From gigs in bus stations to churches, via events held in electricity substations or the old John Lewis building – not to mention the festival’s primary home in an old gun barrel factory, Hope Works – you can draw a clear lineage that now stretches back half a century.

And it’s a constant through line that shows that Sheffield has always, and is still, pushing boundaries in the world of electronic music.

More about No Bounds

Venues

Sheffield boasts a real variety of places and spaces to experience electronic music. Whether you want hands in the air raving in giant clubs, more intimate low-key parties, or some noisy and more experimental stuff, the city is teeming with spaces that accommodate the entire spectrum.

On top of the five suggested places below, there’s also several more worth exploring in: Plot 22, Panke Social, Sadacca, Dryad Works, Hatch, Code, Tank, Southbank Warehouse, Dorothy Pax, and Yellow Arch.

Hope Works

Home to No Bounds Festival and some of the best parties the city has ever seen, Hope Works is one the city’s finest clubbing institutions.

It’s far from a glitzy, sparkly place and instead has its priorities on two key things: the bookings and the soundsystem. Which means you’ll hear some of the world’s best DJs through gut-rumbling speakers.

Hope Works
A huge crowd dancing to club music in moody blue lighting.

Factory Floor

Labelled as the UK’s first bar combining the best in drip-infusion spirits, fresh tank beer and cutting-edge audio, Factory Floor also pulls in some excellent DJs too.

It’s a perfect place to get warmed up for a club - or you prefer the late bar vibe, then records keep spinning until 2am on a weekend.

Factory Floor

Hagglers Corner

This tucked away spot is home to a variety of small businesses but is centred around a bar and courtyard that consistently has some brilliant DJs spinning all kinds of electronic music.

If you love dance music but prefer your environment a little more low-key and relaxed, then this is the place for you. Now that Grub Records has taken over the front unit, it’s become even more of a go-to destination for dance music, often hosting multiple parties there at once. 

Hagglers Corner

Record Shops

Sheffield has a solid collection of genre-spanning record shops where you'll be able to find electronic music alongside everything else. For these places, check out: Bear Tree, Record Collector, Spinning Discs, LP, Record Junkee, and Waxatmoorgate.

Although if you’re after somewhere that specialises purely in dance, and electronic-adjacent music, then there’s a new place in town just opened up...

Grub Records

Opened in 2024, by a crew of people who have been integral to Sheffield’s thriving music scene and involved in running Apricot Ballroom, Groundwork, Mondo Radio, and Control.

Grub Records has a selection of expertly curated electronic music and they also have a rotation of guest selectors spinning throughout the day. Plus, many of the visiting DJs who are playing at club nights in the city are known to stop by for a free afternoon or early evening warm up set.

On top of all this, it’s also a natural wine bar. So if you fancy sipping on wine as you dig through the racks then this place will be even more up your street.

Grub Records

Record Labels

While Warp records may be the label that is forever synonymous with Sheffield, it moved the majority of its operations to London years ago. However, there are still numerous local record labels specialising in electronic music releasing an eclectic bunch of sounds.

Central Processing Unit (CPU)

This label launched in 2012 and aside from being one of the most distinctive looking labels going – with its sharp uniform black and white design along with its unique 8 digit binary catalogue numbering system – it has been a label that has spearheaded the electro movement. Resident Advisor has called it “one of the best electro labels going" while Bleep.com said it was “one of the most interesting electronic labels to come out of Sheffield since the Cabaret Voltaire days.”

Computer Club

Also run by Chris Smith, the man behind CPU, this is an off-shoot label of sorts that also runs events as well as puts out records. Here you’ll find slightly more leftfield picks on this imprint, which has put out a variety of tunes spanning experimental techno to computer music via some noisy and glitchy stuff.

Memory Dance

This archive label is a relatively new addition, having only put out its first release in 2023, which was a never-before released eight track compilation of 1980s Sheffield post-punk-disco-dub-pop group the Leisure Foundation. Its remit is “sharing never-known work from the archival fringes of post-punk, jazz-funk, noise, synthpop, boogie, street-soul, proto house music, and everything in between those cracks.”

Off Me Nut

An independent rave label that’s been running since 2010. This isn’t chilled out electronic music perfect for home listening, it is big, raw, heavy, bold and in your face stuff. It’s heavy on bassline, jungle, and breakcore sounds and is intended to be played loud through as big of a speaker system as possible. Aside from boasting a hugely extensive back catalogue of records,  the label has also been known to throw some killer parties in the city over the years too. 

Audiobulb

This is a Sheffield label that has been going for just over 20 years now and is a “exploratory electronic music label releasing ambient, glitch, electronic, microsound and modern classical music, software and creative projects.” It has a deeply impressive and eclectic series of releases behind it, often with a focus on exploring the intersection of the electronic and natural world.

Organisations

Sheffield Techno Institute  

Love techno? So does the Sheffield Techno Institute (STI). They run events, parties and gatherings that are all things techno and have been embedded into the Sheffield scene for well over a decade now. So, give them a follow on socials if you want to get involved and join the party.  

Yorkshire Sound Women Network

While this is Yorkshire-wide rather than just Sheffield, there are often meet-ups and events held in the city, and there is a specific Sheffield chapter called SONA. Yorkshire Sound Women Network (YSWN) was founded in 2015 by women working in the sound technology industry who wanted to use their skills and influence to address gender and racial inequality. Through various events and workshops they actively encourage women and girls to participate and develop skills in sound and music digital technology.

Algorave

Algorave is as much a movement and community as it is a party. It’s all about using live coding to make music in real time and the organisation has been hosting events and parties for years in the city. It has toured all over the world and is something of a leading force in the world of algorithmic music. However, they are also very welcoming in encouraging people to take part, get involved and learn the craft. They often host workshops and meetups for people to learn more about what they do and how to do it. There is also Pattern Club which is connected to the Algorave world, which actively welcomes “ imposters and beginners” to come along and explore making patterns in craft, technology, music, and performing arts.

Mondo Radio

This is a community radio station based in Sheffield. They have also been known to throw great parties and various events in the city over the years but it’s also a real community made up of members, DJs and general electronic music fans. They also have a rich variety of shows from some of the city’s best selectors, so it also doubles up as an amazing musical archive and resource.

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