A history of land rights and protest in folk song and story, the show connects the Norman Conquest and Peasants’ Revolt with current issues like the housing crisis, reparations, climate breakdown and food sovereignty via the Enclosures, English Civil War and Industrial Revolution.
Chris Addison (The Thick of It, Mock the Week) joins Ensemble 360 to bring his infectious enthusiasm for classical music to the Crucible.
Faint Paint are a Sheffield four-piece making melodic, emotionally rich guitar music with a cinematic streak. Their songs drift between the classic and the strange — blending dreamy textures, tight vocal harmonies and a sharp ear for melody.
A brand-new musical version of Benji Davies’ modern-classic The Storm Whale, which tells the story of a boy, a whale washed up on the beach and friendships that will change their lives forever and echo down the generations.
Nigel Kennedy, the best-selling classical violinist of all time, takes to the Crucible Theatre stage for this electrifying evening of music for violin and cello.
A firm favourite, The Little Unsaid return to Sheffield, and it's our pleasure to welcome them to The Lantern. John Elliott has used this moniker for well over a decade now, gaining recognition for genre hopping combinations using elements of alt-folk, electronica, alt-rock and string arrangements.
Get ready for the adventure of a lifetime as the West End smash-hit production of The Lion, the Witch and the Wardrobe comes to the Lyceum.
‘We Are The Lions, Mr. Manager!’ is the remarkable story of Jayaben Desai the inspirational leader of the 1976-78 Grunwick Film Processing Factory Strike.
Terry Pratchett takes Shakespeare's Macbeth & turns it up 'till the knob comes off.
1980s Sheffield, Thatcher’s Britain: politics, passion, protest... where anything might happen and usually does. Three female mechanics set up their own garage in a run-down area of the city, naming it after Gwenda Stewart, a pioneering racing driver.